Last Monday was Labor Day, the annual U.S. holiday marking the end of the summer season. The origins of Labor Day date to the early 1880′s when a New York City carpenters’ union proposed a day honoring the city’s craftsmen and laborers. In 1882, New York was the site of the country’s first Labor Day parade, sponsored by the Knights of Labor, a forerunner of the AFL-CIO. Labor Day was soon taken up in other US cities and states and in 1894, in the aftermath of the breaking of the great Pullman and railway workers’ strike, was declared a nation-wide holiday — possibly as a bone thrown to the less radical side of the nascent U.S. labor movement.
Labor Day vs. May Day
In the 20th century, Labor Day celebrations were contrasted with their more radical European equivalents, the enthusiastic and often explosive mass rallies and demonstrations held on May 1. In the U.S., Labor Day was touted as the non-revolutionary workingman’s holiday and May Day as radical, foreign, anti-American. Ironically, however, May Day had been declared the official holiday of the world socialist movement by a convocation of the Second International in Paris in 1890 in tribute to the victims of a purely American tragedy: the Chicago Haymarket riots of 1886 and the subsequent round-up, show trials, and execution of local German-American craftsmen and anarchists. While European May Day celebrations reflected their radical origins well into the last third of the 20th century, America’s Labor Day celebrations ground to a halt and the holiday devolved into a wistful day off in the fading warmth of summer … and, more recently, into another occasion for the retail store sales and compulsive shopping that accompany most American celebrations, secular and religious.
The Right to Be Lazy
Some weeks ago, a friend who I knew from the 1960s asked me whether four decades after I’d first read Marx — in the process squandering an irreclaimable chunk of the sexual revolution to wade through Das Kapital — I could consider myself a Marxist. My response was to ask: What kind of Marxist? A Stalinist? No way. A Trotskyite? Out of romantic fantasy and ethnic solidarity, maybe. A Western-European-style democratic socialist? Most certainly. A La Fargue-ist? With enthusiasm and a smile!
This Labor Day, I blew the dust off of one the most treasured volumes on my bookshelves, one of the most underrated social and economic manifestos of the 19th-century, Paul Lafargue’s The Right to Be Lazy. And, in the spirits of Labor Day and May 1 both, I took the leisure to reread it.
Cuban-born Lafargue (1842-1911) was Karl Marx’s very own son-in-law but family ties did not prevent Lafargue from giving Marx’s work a needed tweak. Whereas Marx rails about the necessity of transferring ownership of the means of production from capitalists to the proletariat, Lafargue takes aim at production itself. The real enemy of all mankind, according to Lafargue, is its own senseless compulsion to produce, the self-destructive compulsion to work. Forget about fighting for the right to work, Lafargue argues, one should struggle for the right to be lazy!
Marx’s famed Communist Manifesto begins with the warning that the specter of class-based violence is haunting Europe but the opening paragraph of Lafargue’s The Right to Be Lazy warns us against a more insidious danger from within, our own supposed industriousness:
“A strange delusion possesses the working classes of the nations where capitalist civilization holds sway. This delusion is the love of work. The proletariat, the great class embracing all the producers of civilized nations, has let itself be perverted by the dogma of work. Rude and terrible has been its punishment! All its individual and social woes are born of its passion for work.”
For Lafargue, work is, at best, a mere prelude to leisure and to the creativity, inventiveness, and satisfaction that only leisure can yield. To portray the benefits of leisure over labor Lafargue asks us to consider two horses, a pampered and groomed racehorse from the stables of the Rothschilds and a worn dray horse that spends its days pulling endless heavy loads. Which creature, he asks us, is more magnificent, more worthy of emulation?
The Three-Hour Day
Lafargue uses a complex set of calculations to prove that three hours of labor per person per day would suffice to satisfy the needs of most individuals and all of mankind. More than three hours, he cautions, is detrimental to ourselves and to the world at large, leading to overproduction, wasting of resources, adulteration of goods and services, imperial and colonial adventures, and, worst of all, economies that are driven by what we would now call … marketing.
I would dispute Lafargue’s results. Almost a half century of work has taught me that daily bursts of four to five hours of labor are more than sufficient, providing one is rested and relaxed and at least somewhat motivated and dedicated. Additional hours are padding — needless meetings, gossip and make-work, real and virtual trips to the water cooler (including the contemporary equivalents of compulsive email checks, web searches, and online gaming), avoidance of going home, or expressions of managers’ sadistic desires to make employees endure needlessly long days as punishment for being paid. And, padding is not without cost, compromised quality and declining productivity being among the obvious over the long run.
Lafargue is oddly prescient. He foresaw the near suicidal overwork that characterized sweatshops, Soviet idealization of “Stakhanovites,” U.S. misadventures in “scientific management,” and the expansion of the American workweek over the past few decades from a hard-won forty hour week back up to a nerve-fraying fifty to sixty hours or more. Lafargue also anticipated the waste and environmental damage of economies based on continuous expansion of production, the conflicts caused by continuous seeking out of new markets, and the torpor and perennial dissatisfaction occasioned by cajoling existing markets into ever-increasing consumption. His model also provides insight into the short-sighted moves of the present-day newly elected right-of-center government of his adopted country, France, against its 35-hour work week and strong social services and towards the American model of lower pay, less security, and longer hours for those not at the top and tax breaks for those who are.
Syphilis and Production
The Right to Be Lazy, by the way, merits a reading not only for Lafargue’s analysis and prescriptions but also for his (and 19th century translator Charles H. Kerr’s) delightfully ironic style, another way in which Lafargue sets himself apart from his father-in-law. For example, in the midst of a pointing out how the middle-class moved over the centuries from industriousness to a life of indulgence built upon the overwork of wage earners Lafargue posits this paradox:
“Today every son of the newly rich makes it incumbent upon himself to cultivate the disease for which quicksilver is a specific in order to justify the labors imposed on the the workmen in quicksilver mines.”
The Photocopy Shops of Istanbul
The full text of The Right to Be Lazy is available on the internet but I prefer to read it in hard copy, a medium more conducive to a leisurely afternoon on a park bench or a peaceful coffee or beer at an outdoor cafe. My own copy of The Right to Be Lazy is hardcover, bound in embossed imitation leather and gold-stamped with the title and author’s name. It even has a ribbon (more of a shoelace actually) sewn into the binding for marking one’s place.
My personal edition Lafargue’s book is one of many volumes that I have bought over the years at a category of institution that occupies a minuscule but important niche in world’s information infrastructure: the photocopy shops of Istanbul.
Istanbul’s photocopy shops copy are crowded storefront affairs crammed with photocopy machines, bookshelves, and hundreds or thousands of bound and unbound volumes. They smell of paper, xerox toner, bookbinder’s glue, and cheap take-out lunches and are usually silent but for the shuttling of photocopier lamp heads, the rattling of automatic collating racks and the occasional ringing of old fashioned telephones.
A typical photocopy shop works as follows: A customer comes in to have a book photocopied. The shop photocopies and binds the book’s pages but also produces as second set of photocopies that it keeps as a master for preparing additional volumes for shelf display or for order from the shop’s catalog (as often as not available in pamphlet form or on 3.5″ floppies as a grudging concession to the digital age).
The shop I patronize is located in the warren of streets bounded by the immense Byzantine-period underground cisterns of the Yerebatan Saray and by the Divan Yolu, the ancient main thoroughfare and axis of old Istanbul. The shop is just around the corner from the Turkey’s central archives housing the tens of millions of documents that are the administrative patrimony of the Ottoman period and only minutes from the tourist magnets of Haghia Sofia and the Mosque of Sultan Ahmet. The shop’s stock varies from historical and literary works in Turkish and Islamic religious volumes to an erratic variety of historical and lingusitic arcana in English. A small sampling of my own purchases over the years reflect the scope of the shop’s usual contents: Gibbs’s six-volume A History of Ottoman Poetry, F.W. Hasluck’s classic Christianity and Islam Under the Sultans, Mason’s Passion of Al-Hallaj, Millingen’s books on Byzantine Constantinople and its churches, Galante’s 1930s monograph on the synagogues of Istanbul, and a number of memoirs by now-forgotten 19th-century Protestant missionaries to Anatolia and the Balkans, as well as, of course, Lafargue’s The Right to Be Lazy.
Photocopies and the Democratization of Knowledge
At first glance, Istanbul’s photocopy shops appear to be involved in blatant copyright violation and theft of intellectual property. But the situation is far more complex, an analogue precursor of contemporary issues facing the internet, libraries, and the publishing industry. Many of the works available at photocopy shops at $10 -$20 per volume are long out of print and otherwise available only through antiquarians or in low-run limited-edition reprints at prices in the $100 – $200 range, via high-priced subscriptions to online data bases, and, of course, to those with the credentials and sufficient leisure, at specialized libraries. The effect of this is magnified in Turkey, a country in which income distribution is decided unequal and most people’s disposable incomes are far below Western European and even American levels.
Photocopy shops also provided a physical and spatial means for expanding one’s knowledge of the world and of the millennia of discourse examining it. Photocopy shops offer the curious an opportunity to browse through categories of books — volumes at the edges of mainstream of knowledge and rarefied areas of specialized research — and thumb through titles they most likely would not find in Istanbul’s otherwise excellent Turkish- and English-language bookstores and would not otherwise encounter unless they have the luxury to be involved in full-time studies or research.
As haphazard as the collections of photocopy shops maybe, they do have their logic. In the case of my own favorite shop, that logic is a function of its spatial location, which serves as filter for its stock. What photocopy shops offer for sale is determined the books that are brought it for copying in the first place and the tastes and interests of the people who bring them. The location of my favorite shop, only tens of meters from the Ottoman archives and a little more than a kilometer from Istanbul University, gives it an academic and Ottoman-period focus. This reflects the intellectual lives of its copy service and book buying customers and their daily trajectories, through their inner selves as well as through the physical complexity of Istanbul. It also forms a case study in the dynamics of traditional cities and is an analogue mirror of concepts of community and social networking that we now associate with the internet.
Afterthought: Lafargue, the Future of the Copy Shop, and Reclaiming the Leisure and Focus to Read
The photocopy copy shop in which I bought Lafargue’s manifesto in praise of the three-hour workday is open eleven hours a day, seven days a week — a function of low margins, high rents, increasing paper and toner costs, skyrocketing cost of living, and, maybe, as Lafargue would have it, a dose of misplaced industriousness as well. Most of the shop’s customers work equally long days. In a more Lafargue-ian world would the store survive and its customer’s reclaim the leisure and focus to read more? I’m willing to gamble on it.
Investigating the Financial Crisis and My Passion for Borsalino Hats
Posted by Stephen Lewis on January 9, 2009
The mortgage, housing market, and stock market collapse were neither acts of nature nor products of cosmically ordained cycles or hypothetical laws governing hypothetical markets. They were the results of specific deeds by specific individuals — financial and corporate types out for riches at whatever cost, equally greedy and conveniently blind investors, and politicians and constituencies with minds muddled by neo-McCarthyite bashing of “socialism” and the New Deal and by the ethos and platitudes of “Reaganomics” and its successors. It is now time to assign blame where blame is due, but not necessarily for purposes of revenge …
In Where is Our Ferdinand Pecora?, in last Monday’s New York Times, author Ron Chernow wrote:
The moment calls for nothing less than a sweeping inquest into the twin housing and stock market crashes to create both the intellectual context and the political constituency for change.
And Chernow gives us an excellent model for such an inquest:
For inspiration, Congress should turn to the electrifying hearings of the Senate Banking and Currency Committee, held in the waning months of the Hoover presidency and the early days of the New Deal. In historical shorthand, these hearings have taken their name from the committee counsel, Ferdinand Pecora, a former assistant district attorney from New York who, starting in January 1933, was chief counsel for the investigation. Under Pecora’s expert and often withering questioning, the Senate committee unearthed a secret financial history of the 1920s, de-mystifying the assorted frauds, scams and abuses that culminated in the 1929 crash.
He describes Pecora in action:
The riveting confrontation between Pecora and the Wall Street grandees was so theatrically apt it might have been concocted by Hollywood. The combative Pecora was the perfect foil to the posh bankers who paraded before the microphones. Born in Sicily, the son of an immigrant cobbler, Pecora had campaigned for Teddy Roosevelt and been imbued with the crusading fervor of the Progressive Era. As a prosecutor in the 1920s, he had shut down more than 100 “bucket shops” — seamy, fly-by-night brokerage houses — and this had tutored him in the shady side of Wall Street.
Last month, I thought of Judge Pecora (as Ferdinand Pecora was later known) in a much different context. It was in Borough Park, in Brooklyn, and I was just about, as they used to say back in the heyday of Pecora’s career, to “plunk down two C-notes” for a new “lid,” an old-fashioned fedora, a high-crowned, broad-brimmed, Italian Borsalino, made of soft slightly-shining green-grey felt and lined with a hat band of equally soft leather.
I buy a new “lid” every few years, always in the autumn and usually when the economy falters and my own prospects wobble. A jaunty Borsalino equips me with the courage of those who made it through the Great Depression, makes me feel as tough as Bogart, Cagney and Edward G. combined, and gives my walk a bounce that would not have been out of place in, say, Minton’s in the 1940s or the Five-Spot in the 60s. When I was a kid, my grandfather would buy a new Dobbs hat every few years but a Dobbs was a stiff hat with a pre-formed shape that embodied more the ethos of the 1950s than those of the decades before or after. You’d rarely catch a jazz musician wearing a stiffly-formed Dobbs.
The first Borsalino I remember ever seeing or trying on came straight from the head of Judge Pecora. It was in 1962 in the old Barney’s Clothing Store (“Select, Don’t Settle … at Barney’s” as the radio jingle went) on 7th Ave. and 17th St. in Manhattan. I was 15 and had lied about my age to get a job working Saturdays and Sundays “writing-up” sales. The pay was minimum wage, “a buck and a quarter an hour.” My main task was to prepare invoices for customers’ purchases, note alterations, and send customers on to the cashier. I had other tasks as well. In those days, Barney himself, the founder of the store, a squat octogenarian, elegantly dressed but with the tough confrontational edge of a one-time Lower East Side street kid, still roamed the store, hunting out and berating shoddy employees and insufficiently deferential customers. On Sunday mornings, Barney would hand me a cash-stuffed envelop to pass to the policemen who came to deliver the weekly summons for violation of municipal “blue laws” prohibiting retail sales on the Christian sabbath. And, if customers ever dared to complain, Barney would give me the unwelcome task of throwing the complaint back at them. When a woman returned with a suit bought for her husband and shipped to her home, claiming that it had arrived in need of cleaning, Barney shouted at me: “Tell her the suit ain’t dirty, her husband’s dirty.”
One Sunday, I saw Barney in another guise. Uncharacteristically deferential and glowing with pride, Barney led a equally short, equally squat elderly man to my counter. Barney himself held the man’s new purchases for him. The man had hawk-like eyes, a protruding nose, and a giant cigar clenched between his teeth. He wore a magnificent gray suit tailored in the style of a past age, and carried a near-floor length camel-hair overcoat over one arm. In his hand, he held a very large velvety gray fedora with the crown indented vertically and with deep parallel creases along its sides. Older shoppers noticing the man stopped and pointed as if they’d seen a long-forgotten prize-fighter or film-star: “It’s Ferdinand Pecora; it’s Judge Pecora,” they said in amazement — this a third of a century after Pecora had made his name. Barney whispered in my ear: “Kid, take care of the Judge, and if you fuck up I’ll throw your ass out on the street.” I wrote up the Judge’s invoice and escorted him to the cashier. As he paid, he handed me his coat to hold and reached up and placed the fedora on my head. “You look great,” he said to me. “Remember,” he added, “work hard, stay clean, and don’t take any crap off of anyone.”
For better or worse I’ve tried to follow the Judge’s advice. Forty-six years later, I tip my hat to him and, for that matter, to Barney as well. I also tip my hat to Ron Chernow for the very timely resurrection of Pecora, his style, ethics, and deeds.
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