My friend Abu Cihan (out of respect for his cultivated anonymity I am using his honorific rather than his real name) is a great historian of Ottoman and Turkish identity and an almost equally great admirer of ladies both big and bigger. He also is treasure trove of American pop culture trivia. Still, Abu Cihan was surprised recently when I told him that the great Jewish-American singer and vaudevillian Sophie Tucker was not only a very big woman but a very passionate one as well, with a string of husbands and a very liberated lifestyle long before the late-20th century idea of “liberated” was ever articulated (Note: Tucker was also a union activist and a generous giver to charities).
Like all moderately emotional one-time Lower East Siders, I still unashamedly weep at Tucker’s over-the-top Yiddish-language tribute to the ur-Lower-East-Side stereotype of “Mayn Yiddische Mammeh” but I love even more the tough and resilient acceptance of the fleeting nature of sexual and emotional attachment that radiates from her theme song “Some of These Days” (a powerful tonic, by the way, for any readers emerging from broken relationships). For the story of “Some of These Days” in Sophie’s own words click here. For a terse time-line of the life of its unsung, and most likely under-compensated, composer, African-American songwriter Shelton Brooks, click here. Better yet, to listen to a 1920s recording of Tucker performing “Some of These Days” (with the Ted Lewis Orchestra) click here.
Thinking in an East Side way often sets me to thinking of Joe and Paul. Joe and Paul, in fact, were really just Paul, Paul Kofsky. The short version of the story (for a longer one click here) is this: Early in the twentieth century Paul Kofsky opened a clothing store in Brooklyn. Times were tough and most one-person operations were doomed to failure. So, to add substance and repute to his ailing venture, Paul invented an imaginary senior partner, Joe, changed the name over the door to Joe and Paul, and business soon boomed.
During the Great Depression, Kofsky turned to advertising. He paid legendary Yiddish music hall composer Sholem Secunda (who wrote the original “Bei Mir Bist Shayn” only to make the mistake of selling it to a promoter for $25.00) to compose a radio advertisement jingle for Joe and Paul. Kofsky, who had always dreamed of a life on the stage, performed the jingle live himself, dashing from one Yiddish- and English-language New York radio station to another to sing it. The tune soon became a hit and remained ubiquitous into the 1950s, when Cuban-born band leader Pupi Campo even recorded a cross-over Latin version of it, more likely than not with a young Tito Puente in the background.
To listen to Kofsky singing his original ode to Joe and Paul click here and click here for Pupi Campo’s cover. For those who do not understand the vanished interim wandelsprache of NYC Yiddish, my own bland translation (minus Kofsky’s Yiddish-language scat-like embellishments) is: “Joe and Paul, a store, a pleasure; there you can cheaply buy a suit, a coat, a caftan, all perfect, so be sure to buy only at Joe and Paul.”
Why do I tell these stories? Simple, because in the midst of the present “crisis” it is important for all of us to look for the imaginary senior partner within, to be confident enough to sing our own praises, and never to bemoan what or who we have lost. And now … will someone please point me to the nearest radio station!


A Gingerly Step Middle-East-Wards
Posted by Stephen Lewis on January 27, 2009
Ever since the start of Israel’s heavy-handed military incursion into Gaza, I’ve debated writing on the subject. At first, I considered it beyond the purview of this weblog and that of my alter-ego site Bubkes.Org — and also a Pandora’s box that, in the face of my other interests and commitments, I did not want to open — but after a few weeks of agonizing I realize it is not. And by “it,” I mean both the sobering effects and consequences of Israel’s indiscriminate, and possibly cynically timed, unleashing of weaponry and the excuse this has given to disturbing numbers of people in Europe and the Muslim world (I am writing this from Istanbul) to turn anew to that venerable but always toxic “socialism of fools” … antisemitism.
Whatever I write on the Middle East crisis will certainly not provide definitive insights or explanations but will only point to alternative viewpoints. But, what I write about antisemitism will reflect my years of study on its origins, manifestations, and relation to the identities of most modern nation states, as well as my unavoidable lifelong commitment to go to the front line in fighting against it.
I’ll begin with this coincidence: The other morning, Anu Garg’s excellent A.Word.A.Day mailing contained this timely quote from George Orwell:
“The nationalist not only does not disapprove of atrocities committed by his own side, he has a remarkable capacity for not even hearing about them.”
Part two of the coincidence is that just the night before I had begun to read a slim volume of reprints of essays by Orwell published by Penguin as part of its “Great Ideas” series under the title “Why I Write.” The cover of the volume contains this quote from the Orwell:
“Political language is designed to make lies sound truthful and and murder respectable, and to give an appearance of solidity to pure wind.”
The third part of the coincidence is that around the same time I came across an article introducing the book version of Israeli filmmaker Ari Folman’s award-winning animated documentary “Waltz With Bashir,” a memoir of his repressed memories of his military service during the Israeli incursion into Lebanon during the early-1980s. The article is on the weblog Tom Dispatch, which this past Saturday ran a long excerpt from Folman’s book and which will run a second excerpt next week. Folman’s work and the struggle it embodies suggests even to this cynical writer that there are still Israelis who passionately seek to break through the all too frequently truthful failings described by Orwell’s quotes. Other recent pieces on Folman’s film and its relevance to present events include this article and this interview, both on Salon.Com.
For iconoclastic, ethically-driven, and analytic takes on Israel and the Middle East, I recommend Gershom Gorenberg’s and Haim Watzman’s “Progressive, Skeptical Blog on Israel, Judaism, Culture, Politics, and Literature” South Jerusalem. Also recommended: the writings of Haaretz writer Amira Hass, not least this recent piece and this.
More on this subject from time to time over the next couple of weeks.
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